How to get songs out by ear. Here are some key tricks that will not only help you make your songs sound more like the original versions but at the same time save you many hours of work. In addition, we’ll give you some references to the best places to find quality ciphers, useful applications and much more!
Regardless of whether or not a musician knows how to read music, regardless of his or her ability to deal with ciphers or tablatures, on many occasions, we find that there is nothing written about that song that we would love to add to our repertoire or, even worse, what we can find leaves a lot to be desired, resembling very little of what the recording sounds like. In this article, we want to tell you some tricks so you can do it by yourself, find the notes of your favorite songs and enjoy playing them just as you like to listen to them.

It is important to emphasize that it is not the intention of this article to delve into questions of musical theory, but that what it seeks is simply to constitute a practical guide to bring out songs by ear. It is also worth pointing out that, although we will have the precaution of using adverbs as generally, normally, frequently, etc., we want to make it clear that we will move in common musical questions, the most common. It would be impossible to do it any other way because the possibilities and variations within music are infinite. However, this does not mean that the advice you will find in this article is not useful in many situations, quite the opposite.

Finally, before starting, we must indicate that in order to take full advantage of this guide, it is necessary that the reader has some basic knowledge about chord formation, tonalities, scales, and so on.

Once the content has been presented, we are going to tell you 5 infallible tricks to make songs by ear.


This will be fundamental in order to understand the structure of the song. Tonality is based on scales, i.e., on a given order of succession of intervals. Tonality, understood more specifically as the tonality or key of a musical work, is determined by the tonic, along with the associated chords and scales. It is around this ensemble that musical phrases and progressions revolve.

To simplify, we can say that the first chord is the one that will normally give us the key of the song. However, be careful as this is often not the case and the theme may fall into its first strong tempo with another chord – for example, the dominant one – and may confuse you. If you have doubts, if you’re not sure, a good strategy is to follow the song until you locate the dominant chord -the one with the most tension- that it will solve, generally in the tonic.

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